Yavanna Kementári, pen and ink drawing © Teresa Kirkpatrick 2010 |
Last summer it became clear that any kind of depiction would be better than none, so I started to sketch some basic layouts. I wanted an Art Nouveau feel to the piece and decided to frame Yavanna with the Two Trees. How to place her was the next question; I decided against a pose, preferring to show her almost in passing, perhaps with a fern springing from the hem of her cloak as she walked. By October I was able to put down a pencil sketch, and eventually, having modified it several times, I felt confident enough to ink it up, holding my breath as I did so.
Now came my next decision. The outline sketch was extremely simple; if I simply filled in the colour it would look lifeless. There was no way I could make it look realistic - who knows what a Valar looks like? or the Two Trees? and how on earth do you depict gold and silver light, mingling?? I had no idea what to do, and Christmas came and went. In the meantime I did some experimental paintings with bold washes and plenty of water, as described on this blog in January. So I asked myself: what would happen if I used those on my painting of Yavanna?
Yavanna Kementári, first wet washes © Teresa Kirkpatrick 2011 |
Action followed thought (not too much thought- counter-productive!). I wetted the paper and dropped in quantities of turquoise and indian yellow. Then I added some ultramarine and quinacridone gold for good measure. The whole thing was very, very wet. For a while I sat there and literally watched the paint drying; depending on where the pools of water had gathered, colour was marching across the paper, blending and marching back again. I was pretty sure there were some wonderful greens growing in there, but I couldn't be certain how they would dry. I made myself walk away until the morning.
Yavanna Kementári, first washes dried © Teresa Kirkpatrick 2011 |
When I went back the next day, I was astounded with the result. I almost didn't dare touch it any more; wouldn't it do perfectly well as it was? Tempted as I was to leave it, I decided to carry on, to find out how Yavanna would present herself to me. But that will have to wait until the next blog - partly because she isn't finished yet . . . .!
* The Silmarillion, by JRR Tolkien, published by HarperCollins
This has the makings of a truly glorious painting - an atmospheric blend of beautiful colours, warmth and light - you can almost feel yourself into the picture. Has a Pre-Raphaelite feel to it as well as Art Nouveau. Wonderful!
ReplyDeleteI love where this is going. And boy I totally agree the subject matter is a tough one however, you've picked my favorite Valar to paint. I'm looking forward to seeing where this is headed. Get cracking M! :)
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